Better To... Podcast with D. M. Needom
The Better To Podcast is a place where we'll discuss what was the inspiration for their perspective projects and how it all came about. Sometimes, we’ll take a deeper dive into that moment that placed them on the creative path. On the podcast, we honor achievements, discuss new projects, and reflect on life lessons and the beginnings of the creative journey.
Better To... Podcast with D. M. Needom
Deathrock Devotionals - Justin Warfield
Justin Warfield stops by the show to discuss, Deathrock Devotionals Vol II, inner peace, change in perspective and more.
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After a year of steady build-up, bold reinvention, and dancefloor resurrection, WARFIELD - the darkwave/deathrock project helmed by She Wants Revenge lyricist and frontman Justin Warfield - arrives at a pivotal moment. Today marks the release of Deathrock Devotionals Vol. II (out via Black Heathers/Cleopatra Records), the latest installment in Justin’s ongoing love letter to the early Los Angeles deathrock and post-punk scenes that shaped him. Just two weeks later, on November 28, the saga culminates with the release of the full-length album Deathrock Devotionals - an all-encompassing statement piece that merges narrative depth, goth energy, and propulsive hooks into one darkly luminous body of work.
“Like its predecessor, Vol. II is a continuation, and remembrance of, the early years of goth and deathrock in Los Angeles,” Justin explains. “I’m taking inspiration from 45 Grave, Super Heroines, Rozz Williams, Patrick Mata - all those people who pioneered this thing that not only lives on, but is thriving so many years later it. I’m just continuing that spirit and making something new, fun, full of energy, and from my point of view.” He continues, “In many ways this project, this band, and this record specifically is really the child of a time in the early ’80s in LA when there was a confluence of art-rock punks, East LA punks, Queer culture, late-night diners and after hours, basement shows, dueling live music venues in Chinatown as the epicenter of the scene, and suburban backyard parties. When Hollywood was dangerous and full of possibility, and before the jocks and bros crashed the punk party.”
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