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Eddie stops by the show to discuss the hit song he wrote, 'Hit Me With Your Best Shot', his last CD, 'Film School', and so much more. 

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The first time I heard Pat Benatar’s version of ‘Hit Me With Your Best Shot,’ I was almost arrested for loitering,” laughs internationally lauded Canadian songwriter, producer, performer, and rights advocate Eddie Schwartz about the song he penned that became Benatar’s first Top Ten single in 1980. “I was walking down Yonge Street in Toronto when I heard it blasting out of a renowned hair salon and stopped dead in my tracks. I even think I started to drool [laughs]. As I stood there in a state of shock, a salon stylist called the police because of my strange behavior. When they arrived, they ordered me to move or face arrest. When I tried to explain to them that I just heard my song on the radio for the first time, they said, 'Sure, buddy. Move along."

Stepping out from behind the curtain and into the spotlight, Schwartz will be physically releasing his full-length studio release on CD, FILM SCHOOL, on November 12, 2025. His songs have been recorded by an astonishing roster: Carly Simon, Joe Cocker, America, Donna Summer, Rita Coolidge, Rascal Flatts, and Mountain, among many others. As a producer, his credits include the Doobie Brothers’ Cycles, Carrack’s Groove Approved, and his own albums, all resonating with an unmistakable blend of craftsmanship and soul. This six-song EP finds the storied songwriter who authored such classics as Paul Carrack’s "Don't Shed a Tear" (1987), The Doobie Brothers’ "The Doctor" (1989), the aforementioned “Hit Me With Your Best Shot” (among hundreds of others) on the other side of the studio glass.

“It’s a difficult time right now and I freely admit to struggling with how to cope with the daily insanity,” says Eddie about the current political and socio-economic climate. Instead of subjecting himself to the barrage of news, he opted instead to return to the studio and write songs. “The moment of writing ‘We Win’ was profound for me because I found a way to a more hopeful place that helped with anger, sadness and bewilderment at how we got here,” he explains. “I felt the message of ‘We Win’ offered some sanity that I needed to cling to, that I needed to find for myself. And I wanted to share it in the hope it might work for others as well.”
 
 After an extended creative drought that plagued him for years, writing the single and subsequent songs on Film School was a turning point for him. “After a number of years doing the Nashville-style co-writing every day—two songs a day, five days a week— I burned out,” Eddie reflects. “The blank page stayed blank for a long time,” he explains of the rigorous demands of being a songwriter in today’s music business. The catalyst to cure his writer’s block was his frustration with current events. “My struggle to process the world at this moment in time and muster some resolve was what propelled me back in the writing mindset. ‘We Win’ acknowledges the pain and the struggle, but professes love means you don’t have to succumb to it.”
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Intro and Outro music compliments of Fast Suzi

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